Easton Shares Photos From 2005 Cast Benefit Album

Michael Easton posted behind-the-scenes photos from a One Life to Live cast session that raised money for Hurricane Katrina victims.

Updated on Nov. 15, 2026 in Philanthropy

Easton Shares Photos From 2005 Cast Benefit Album

Former One Life to Live actor Michael Easton posted personal photos from a 2005 cast recording session for a benefit album. The photos, found on an old Nikon camera, were shared on Instagram in two carousels.

Why it matters

The album's proceeds went to people affected by Hurricane Katrina, and the photos offer a rare look at a charitable project from the soap opera's cast. The post resurfaces a fundraising effort from two decades ago.

The benefit album was recorded in 2005 with proceeds directed to Hurricane Katrina victims, according to Easton's post. The post includes two photo carousels, and the stub does not report the album's sales or total donation amount.

The players

Michael Easton

Michael Easton is an actor who played on the ABC soap opera One Life to Live and took the photographs at the 2005 cast recording session.

The details

Easton took the photographs at the session, which was held at Prohibition bar on the Upper West Side with the venue loaned for the afternoon by Richie Hersch. The images were recovered from an old Nikon camera before being posted to Instagram.

2005: The One Life to Live cast records the benefit album for Hurricane Katrina victims.
November 14, 2026: Easton posts the photos on Instagram.

Track Record

Soap opera casts have historically banded together for charity recordings in the wake of disasters, and this project followed that pattern after Hurricane Katrina in 2005. Easton's post revisits that effort two decades later through previously unseen photos.

Readers who follow the soap opera or charitable music projects can look up the album's history. The post offers an example of how cast members have used recording sessions to raise money for disaster relief.

The takeaway

Celebrity fundraising projects often outlast their original news cycle, and personal archives can reconnect audiences with the causes they supported. Looking back at such efforts shows how entertainment communities respond to national disasters.