Nino Mier Gallery Opens Albert Irvin Exhibition

The solo exhibition To New York and Back Again brings the late artist's abstract works to the SoHo neighborhood.

Updated on Oct. 31, 2026 in Fine Art

Abstract painting with bold gestural marks hung on a clean white gallery wall in a minimalist, industrial SoHo exhibition space. — The Nino Mier Gallery in SoHo has unveiled 'To New York and Back Again,' a solo exhibition featuring the abstract works of British artist Albert Irvin. AI Illustration. Upload story photo >

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The Nino Mier Gallery in New York City has launched a new exhibition featuring the abstract paintings of Albert Irvin. The collection, titled To New York and Back Again, showcases works from the career of the British artist.

Why it matters

The exhibition highlights a pivotal transition in Irvin's career when he moved from figurative to abstract art following a 1968 visit to the United States. His work aimed to convey an inextinguishable life force through bold, gestural painting techniques.

Irvin taught at Goldsmiths College between 1962 and 1983 and was appointed an Officer of the Order of the British Empire in 2013. The artist adopted acrylic paint as his primary medium beginning in 1972.

The players

Albert Irvin

He was a British abstract painter and educator who served as an instructor at Goldsmiths College for over two decades.

Nino Mier Gallery

It is an art gallery located at 62 Crosby Street in New York City that hosts contemporary and historical exhibitions.

The details

Irvin utilized squeegees and corrugated card to manipulate paint, often stacking large canvases on cans to facilitate a more immediate creative process. This approach followed his decision to abandon figurative art after viewing the 1959 exhibition The New American Painting.

1959: Irvin decided to abandon figurative painting.
1968: Irvin visited the United States.
1972: Irvin began using acrylic paint.
October 29, 2026: Exhibition opened in New York.
December 16, 2026: Exhibition closes.

Industry Dynamics

The artist abandoned figurative work following the 1959 exhibition The New American Painting, marking a clear paradigm shift in his career. This retrospective aligns with a broader trend of revisiting mid-century abstract influences within modern gallery spaces.

Visitors can view the exhibition at 62 Crosby Street in New York City throughout the fall. The show remains open to the public daily until it closes in mid-December.

The takeaway

Albert Irvin remains a significant figure in 20th-century abstract art due to his unique, high-energy application techniques. His transition to abstraction serves as a reminder of how international travel and exposure to new movements can fundamentally reshape an artist's trajectory.