Robert Simon Fine Art Opens Plautilla Nelli Exhibition
A new gallery show in New York City highlights works from the Renaissance artist's Florentine workshop.
Updated on Oct. 24, 2026 in Fine Art
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Robert Simon Fine Art has launched a monographic exhibition titled Suor Plautilla Nelli: La Prima. The collection features fourteen paintings and one drawing from the artist who established a workshop at the Convent of Santa Caterina.
Why it matters
The exhibition highlights the work of a significant Renaissance artist, with the gallery director aiming to encourage further scholarly study of her career and techniques. It provides a rare look at pieces connected to her influential workshop in Florence.
The exhibition includes one of only three known signed works by Nelli, Christ and the Virgin Mary Interceding with God the Father. A 110-page catalogue accompanies the display, detailing essays and technical analyses of the artist's materials.
The players
Plautilla Nelli
She was a Renaissance artist who operated a painting workshop at the Convent of Santa Caterina in Florence.
Robert Simon Fine Art
This gallery is located in New York City and focuses on hosting specialized art exhibitions.
Girolamo Savonarola
He was an Italian Dominican friar and preacher who was executed in Florence in 1498.
The details
The show spotlights the artistic output of Nelli and her workshop, including a notable Portrait of Girolamo Savonarola. Curators provided technical analysis of the techniques used by the artist, who operated out of her Florence convent.
Timeline
The exhibition opened on 19 October 2026.
Nelli's work was previously featured in a 2017 exhibition at the Uffizi.
Girolamo Savonarola was executed in Florence in 1498.
Industry Dynamics
This exhibition builds upon the increased recognition seen following the 2017 Uffizi Nelli exhibition. It signals a shift in the art world toward conducting deeper technical and material research into historical female masters.
The public can view the collection at the Robert Simon Fine Art gallery in New York City. The accompanying 110-page catalogue serves as a resource for those interested in the artist's specific techniques and material history.
The takeaway
Visitors to the gallery can gain a better understanding of Renaissance studio practices by viewing the technical analyses presented in the catalogue. This exhibition offers a rare opportunity to see works by a historically significant artist outside of her original Florentine context.
Further reading
Learn more about local art events in our Fine Art section.
Source note: This article includes information reported by Artdaily.
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