San Francisco Opera Performed Mary, Queen of Scots
The production returned to the War Memorial Opera House stage for the first time since 1977.
Updated on Sept. 28, 2026 in Opera
San Francisco Opera debuted its new co-production of Thea Musgrave's Mary, Queen of Scots on September 26, 2026. The performance took place at the War Memorial Opera House with Heidi Stober in the title role.
Why it matters
This production revives a historical work that has not been staged by the company in nearly five decades. It features a collaboration with the English National Opera and a modern directorial vision by Stewart Laing.
The production represents a revival of the work last seen at the company in 1977. It is one of five total performances originally scheduled for this run.
The players
Heidi Stober
She is an acclaimed operatic soprano who performed the title role of Mary, Queen of Scots.
Clelia Cafiero
She is a professional conductor who led the orchestra for this production.
Thea Musgrave
She is a Scottish-American composer who wrote both the score and the libretto for the opera.
San Francisco Opera
This is a major American opera company that presents seasons of repertory at the War Memorial Opera House.
English National Opera
This is a London-based opera company that served as the co-producer for this staging.
The details
Conducted by Clelia Cafiero, the production utilizes a modern aesthetic featuring puff jackets and windbreakers alongside a staging design by Stewart Laing. The set includes a metal fence lining the front of the stage and a large tent depicted under construction.
Timeline
The San Francisco Opera first presented this opera in 1977.
The performance was held at the War Memorial Opera House on September 26, 2026.
Industry Dynamics
This production follows the 1977 San Francisco Opera presentation of Mary, Queen of Scots as a rare revival of a 20th-century work. It reflects a broader trend of international co-productions between companies like the English National Opera to share staging costs.
The cancellation of upcoming performances due to an orchestra strike directly limits ticket holders' ability to attend the remaining scheduled shows. Patrons should monitor official communication from the venue regarding potential refunds or rescheduling.
The takeaway
Reviving historical operas often requires navigating both complex labor relations and modern creative reimaginings. Audience members should always verify performance status for live events as scheduling can change due to labor disputes.
Further reading
Find more updates on Opera productions across the region.
Source note: This article includes information reported by Seenandheard-international.
