Spiritbox Tour Utilized Advanced GLP Lighting Tech
Lighting designer PJ Carruth incorporated 20 GLP JDC2 IP fixtures into the band's 2026 North American tour production.
Updated on Sept. 23, 2026 in Dance and Electronic
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During the 2026 North American tour, designer PJ Carruth deployed 20 GLP JDC2 IP fixtures running firmware 2.0. The setup arranged the units in an upstage row to provide versatile lighting effects for the live performance.
Why it matters
The deployment allowed the production to replace multiple specialized unit types with a single, highly capable system. The technology provided the low-latency response necessary for a fully timecoded show.
The lighting setup featured 20 GLP JDC2 IP units, each equipped with a 12-segment beam line of 84 LEDs and a 1,728-LED color plate. The system relied on firmware 2.0 to manage coordinate space mapping.
The players
PJ Carruth
He is the lighting designer responsible for the technical layout and visual configuration of the 2026 Spiritbox tour.
Volt
This company served as the supplier for the lighting package used during the tour.
Spiritbox
They are a professional musical group that headlined the 2026 North American concert tour.
The details
The design utilized canvas-based positioning to treat the 20 fixtures as one continuous surface for content generation. These units processed visuals through DMX-controlled DigiFX algorithms or external NDI streams via GigaBit EtherCon ports.
Timeline
The Spiritbox North American tour took place throughout 2026.
Industry Dynamics
This production reflects the shift toward high-bandwidth, digital-integrated lighting systems that simplify complex stage designs. It demonstrates how touring acts are replacing legacy specialized hardware with versatile, data-driven platforms.
The use of advanced coordinate mapping and NDI streaming allows for more complex, visually synchronized stage displays during live concerts. These technical upgrades directly impact the visual fidelity and responsiveness of the shows fans attend.
The takeaway
The implementation of canvas-based positioning marks a transition in how designers manage large-scale light arrays for live events. Designers can expect to see more of this unified workflow as productions prioritize low-latency, timecoded synchronization.
Further reading
For more on industry-standard concert production, visit our Dance and Electronic section.
Source note: This article includes information reported by Etnow.
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